Wrestling in Venice

The 2024 edition of “Glasstress” by the Berengo Foundation opened in Venice last weekend. On the island of Murano, the center of Venetian glassmaking since the 13th century, glass exhibitions and installations by various artists, curated by Umberto Croppi, can be viewed (and purchased) until November 24, 2024.

Robert Wilson’s newest glass creation, in collaboration with the glass masters of Berengo Studio, was inspired by a pair of Chinese ceramic figurines from the Han Dynasty (202 BC – 9 AD, 25–220 AD): two acrobats kneeling and balancing pottery jars on their arms. At the same time, with their outstretched arms, they seem on the verge of fighting each other. Indeed, acrobatics in the Han Dynasty included juggling and martial arts, and even some ancient Chinese warriors were trained in both.

In a rare figurative approach, Wilson and the Berengo Studio contemplated on these Han acrobats, and—instead of ceramics, using glass with its fascinating lightness and heaviness at once—created a series of unique pairs of “Wrestlers.” The Wrestlers appear more performative than sculptural in their palpable readiness to move and strike.

Robert Wilson’s “Wrestlers” seem to be one of the few figurative representations of characters in the artist’s oeuvre, while explicitly corresponding with the performing arts. They seem to express the staggering power of a gesture that is stopped, suspended; if only for a fraction of a second. Between these wrestlers, between the intention and the act, everything is frozen. It is this sublime moment between extreme tension and calm that Wilson reveals to us. These little figurines, as strong and fragile as glass, do not just tell us a random anecdote, but, like votive offerings, lead us to the sensitive heart of Wilson’s universe.
— Françoise Guichon, museum curator and former director of CIRVA (International Glass and Visual Arts Research Center, Marseille, France), who invited Robert Wilson in 1994 to Marseille as a resident artist, and collaborated with him on several glass creations.

Glasstress is a project by Adriano Berengo to further his mission to promote the use of glass in the world of contemporary art. The first Glasstress exhibition was launched in 2009 to establish a new platform for art made with glass. Founded as a Collateral Event of the Venice Biennale of Arts, although its roots will always remain in Murano it has gone on to tour the world. Coinciding with the 60th International Art Exhibition in Venice, Glasstress returns to its original location—an old furnace on the island of Murano transformed into an exhibition space—together with a special project at the Tesa 99 in the Arsenale Nord. The title of the exhibition is an homage to filmmaker Federico Fellini and his masterpiece of the same name, a film which hinges on the theme of artistic creation. It also emphasises the exhibition's eighth, specially "expanded" edition, with the 1/2 indicating two large never before seen installations that will be exhibited in Tesa 99.

MESSIAH Limited Run and Exhibition in Barcelona

Tonight, Robert Wilson’s celebrated production of The Messiah will open for a limited run at the Liceu Opera House in Barcelona. It is the famous oratorio by G.F. Händel, but in the seldom-performed “classical” arrangement by W.A. Mozart. Performances are from March 16 through 26, 2024.

The run will be complemented by an exclusive exhibition of drawings that Robert Wilson made in Salzburg, while working on the original production. Galeria Senda will present these from March 20 through April 20, 2024 at their wonderful space on Trafalgar Street in Barcelona.

Incidentally, the beautiful Gran Teatre del Liceu was the very first opera house that Robert Wilson ever visited. He was hitchhiking through Europe - his first time on the continent - while he was still a student in Texas. Hear him talk about the experience in this interview with Victor García de Gomar:

Robert Wilson Honored At The White House

Today, on September 12, 2023, Robert Wilson was honored, along with two other the recipients of the 34th Praemium Imperiale, Vija Celmins and Wynton Marsalis, in a ceremony at the White House hosted by First Lady Jill Biden, with remarks by former Secretary of State Hillary Clinton, David Rockefeller Jr., and Hisashi Hieda, Chairman of the Japan Art Association. Secretary Clinton introduced Wilson as a “true pioneer: he has created some of the most important and memorable works in contemporary theater and opera. With his stunning set designs, his arresting lighting, his innovative choreography, he helped reinvent a stage where time and space are redrawn, and the experience of narrative is reimagined.”

Watch the ceremony here:

The actual award ceremony of the prestigious Praemium Imperiale, which is often considered “the world’s most prestigious arts prize,” will take place in Tokyo on October 17 and 18. The Praemium Imperiale is awarded annually by the Japan Art Association in honor of Prince Takamatsu in five different fields: Painting, Sculpture, Architecture, Music and Theater/Film. In addition to Celmins (Painting), Marsalis (Music), and Wilson (Theater), this year’s laureates will also include Olafur Eliasson (Sculpture) and Diébédo Francis Kéré (Architecture).

Some impressions from the White House event on September 12: