PESSOA—Since I’ve Been Me on tour at the La Batie Festival around Geneva.
Performed in Italian, French, Portuguese and English, with French surtitles.
For more information and tickets, click here.
PESSOA—Since I’ve Been Me on tour at the La Batie Festival around Geneva.
Performed in Italian, French, Portuguese and English, with French surtitles.
For more information and tickets, click here.
This immersive show was designed by Robert Wilson around a selection of works from the late Thierry Barbier-Mueller’s collection, encompassing over 60 years of design history.
It was produced and previously shown in 2022 at the Museum of Contemporary Design and Applied Arts (mudac) in Lausanne, and in 2024 at the Grassi Museum Leipzig.
For more information and tickets, click here.
View the full photo album of the exhibition here.
Painter Francis Bacon catches George Dyer red-handed breaking into his artist studio. Instead of calling the police, he paints his portrait. The two become a couple. - Painter Basil Hallward is obsessed with his model Dorian Gray. Gray wishes the painting would age instead of him. - Poet Oscar Wilde is the darling of London Society - until he is sent to prison for "indecent relations" with his lover Alfred Douglas.
Darryl Pinckney's text and Robert Wilson’s production of Dorian weave these three stories into an associative narrative flow, overlapping memories, reflections and feelings.
Performed in German with surtitles. Limited run on tour in Shanghai.
Painter Francis Bacon catches George Dyer red-handed breaking into his artist studio. Instead of calling the police, he paints his portrait. The two become a couple. - Painter Basil Hallward is obsessed with his model Dorian Gray. Gray wishes the painting would age instead of him. - Poet Oscar Wilde is the darling of London Society - until he is sent to prison for "indecent relations" with his lover Alfred Douglas.
Darryl Pinckney's text and Robert Wilson’s production of Dorian weave these three stories into an associative narrative flow, overlapping memories, reflections and feelings.
Performed in German with surtitles. Limited run on tour in Shanghai.
Painter Francis Bacon catches George Dyer red-handed breaking into his artist studio. Instead of calling the police, he paints his portrait. The two become a couple. - Painter Basil Hallward is obsessed with his model Dorian Gray. Gray wishes the painting would age instead of him. - Poet Oscar Wilde is the darling of London Society - until he is sent to prison for "indecent relations" with his lover Alfred Douglas.
Darryl Pinckney's text and Robert Wilson’s production of Dorian weave these three stories into an associative narrative flow, overlapping memories, reflections and feelings.
Performed in German with surtitles. Limited run on tour in Shanghai.
After The Sandman, Jungle Book and Dorian, Robert Wilson’s fourth production at the Düsseldorfer Schauspielhaus, Moby Dick, is a take on yet another piece of world literature; “Moby-Dick; or, The Whale” by American writer Herman Melville.
For the first time, Wilson’s Moby Dick is being shown in China.
Performed in German with surtitles.
More information and tickets soon.
After The Sandman, Jungle Book and Dorian, Robert Wilson’s fourth production at the Düsseldorfer Schauspielhaus, Moby Dick, is a take on yet another piece of world literature; “Moby-Dick; or, The Whale” by American writer Herman Melville.
For the first time, Wilson’s Moby Dick is being shown in China.
Performed in German with surtitles.
More information and tickets soon.
After The Sandman, Jungle Book and Dorian, Robert Wilson’s fourth production at the Düsseldorfer Schauspielhaus, Moby Dick, is a take on yet another piece of world literature; “Moby-Dick; or, The Whale” by American writer Herman Melville.
For the first time, Wilson’s Moby Dick is being shown in China.
Performed in German with surtitles.
More information and tickets soon.
After Madama Butterfly (Paris, 1993), Turandot is Giacomo Puccini's second opera to be directed by Robert Wilson.
More information and tickets here.
After Madama Butterfly (Paris, 1993), Turandot is Giacomo Puccini's second opera to be directed by Robert Wilson.
More information and tickets here.
After Madama Butterfly (Paris, 1993), Turandot is Giacomo Puccini's second opera to be directed by Robert Wilson.
More information and tickets here.
After Madama Butterfly (Paris, 1993), Turandot is Giacomo Puccini's second opera to be directed by Robert Wilson.
More information and tickets here.
After Madama Butterfly (Paris, 1993), Turandot is Giacomo Puccini's second opera to be directed by Robert Wilson.
More information and tickets here.
After Madama Butterfly (Paris, 1993), Turandot is Giacomo Puccini's second opera to be directed by Robert Wilson.
More information and tickets here.
After Madama Butterfly (Paris, 1993), Turandot is Giacomo Puccini's second opera to be directed by Robert Wilson.
More information and tickets here.
After Madama Butterfly (Paris, 1993), Turandot is Giacomo Puccini's second opera to be directed by Robert Wilson.
More information and tickets here.
After Madama Butterfly (Paris, 1993), Turandot is Giacomo Puccini's second opera to be directed by Robert Wilson.
More information and tickets here.
After Madama Butterfly (Paris, 1993), Turandot is Giacomo Puccini's second opera to be directed by Robert Wilson.
More information and tickets here.
After Madama Butterfly (Paris, 1993), Turandot is Giacomo Puccini's second opera to be directed by Robert Wilson.
More information and tickets here.
Mary Said What She Said is the testimony of Mary Queen of Scots drawn from her letters about her involvement in some of the most notorious plots of her time. She is lying, but on the eve of death has fear persuaded her that she is telling the truth? Queen Mary is in fact telling the truth about her last love. The title refers to the damning testimony against her by one of her ladies—her four closest attendants were each called Mary.
Robert Wilson directed this monologue by Darryl Pinckney with Isabelle Huppert in a production by the Théâtre de la Ville, Paris.
For more information and tickets, please click here.
Mary Said What She Said is the testimony of Mary Queen of Scots drawn from her letters about her involvement in some of the most notorious plots of her time. She is lying, but on the eve of death has fear persuaded her that she is telling the truth? Queen Mary is in fact telling the truth about her last love. The title refers to the damning testimony against her by one of her ladies—her four closest attendants were each called Mary.
Robert Wilson directed this monologue by Darryl Pinckney with Isabelle Huppert in a production by the Théâtre de la Ville, Paris.
For more information and tickets, please click here.
Mary Said What She Said is the testimony of Mary Queen of Scots drawn from her letters about her involvement in some of the most notorious plots of her time. She is lying, but on the eve of death has fear persuaded her that she is telling the truth? Queen Mary is in fact telling the truth about her last love. The title refers to the damning testimony against her by one of her ladies—her four closest attendants were each called Mary.
Robert Wilson directed this monologue by Darryl Pinckney with Isabelle Huppert in a production by the Théâtre de la Ville, Paris.
For more information and tickets, please click here.
Mary Said What She Said is the testimony of Mary Queen of Scots drawn from her letters about her involvement in some of the most notorious plots of her time. She is lying, but on the eve of death has fear persuaded her that she is telling the truth? Queen Mary is in fact telling the truth about her last love. The title refers to the damning testimony against her by one of her ladies—her four closest attendants were each called Mary.
Robert Wilson directed this monologue by Darryl Pinckney with Isabelle Huppert in a production by the Théâtre de la Ville, Paris.
For more information and tickets, please click here.
Mary Said What She Said is the testimony of Mary Queen of Scots drawn from her letters about her involvement in some of the most notorious plots of her time. She is lying, but on the eve of death has fear persuaded her that she is telling the truth? Queen Mary is in fact telling the truth about her last love. The title refers to the damning testimony against her by one of her ladies—her four closest attendants were each called Mary.
Robert Wilson directed this monologue by Darryl Pinckney with Isabelle Huppert in a production by the Théâtre de la Ville, Paris.
For more information and tickets, please click here.
Mary Said What She Said is the testimony of Mary Queen of Scots drawn from her letters about her involvement in some of the most notorious plots of her time. She is lying, but on the eve of death has fear persuaded her that she is telling the truth? Queen Mary is in fact telling the truth about her last love. The title refers to the damning testimony against her by one of her ladies—her four closest attendants were each called Mary.
Robert Wilson directed this monologue by Darryl Pinckney with Isabelle Huppert in a production by the Théâtre de la Ville, Paris.
For more information and tickets, please click here.
Mary Said What She Said is the testimony of Mary Queen of Scots drawn from her letters about her involvement in some of the most notorious plots of her time. She is lying, but on the eve of death has fear persuaded her that she is telling the truth? Queen Mary is in fact telling the truth about her last love. The title refers to the damning testimony against her by one of her ladies—her four closest attendants were each called Mary.
Robert Wilson directed this monologue by Darryl Pinckney with Isabelle Huppert in a production by the Théâtre de la Ville, Paris.
For more information and tickets, please click here.
Mary Said What She Said is the testimony of Mary Queen of Scots drawn from her letters about her involvement in some of the most notorious plots of her time. She is lying, but on the eve of death has fear persuaded her that she is telling the truth? Queen Mary is in fact telling the truth about her last love. The title refers to the damning testimony against her by one of her ladies—her four closest attendants were each called Mary.
Robert Wilson directed this monologue by Darryl Pinckney with Isabelle Huppert in a production by the Théâtre de la Ville, Paris.
For more information and tickets, please click here.
Mary Said What She Said is the testimony of Mary Queen of Scots drawn from her letters about her involvement in some of the most notorious plots of her time. She is lying, but on the eve of death has fear persuaded her that she is telling the truth? Queen Mary is in fact telling the truth about her last love. The title refers to the damning testimony against her by one of her ladies—her four closest attendants were each called Mary.
Robert Wilson directed this monologue by Darryl Pinckney with Isabelle Huppert in a production by the Théâtre de la Ville, Paris.
For more information and tickets, please click here.
Mary Said What She Said is the testimony of Mary Queen of Scots drawn from her letters about her involvement in some of the most notorious plots of her time. She is lying, but on the eve of death has fear persuaded her that she is telling the truth? Queen Mary is in fact telling the truth about her last love. The title refers to the damning testimony against her by one of her ladies—her four closest attendants were each called Mary.
Robert Wilson directed this monologue by Darryl Pinckney with Isabelle Huppert in a production by the Théâtre de la Ville, Paris.
For more information and tickets, please click here.
Mary Said What She Said is the testimony of Mary Queen of Scots drawn from her letters about her involvement in some of the most notorious plots of her time. She is lying, but on the eve of death has fear persuaded her that she is telling the truth? Queen Mary is in fact telling the truth about her last love. The title refers to the damning testimony against her by one of her ladies—her four closest attendants were each called Mary.
Robert Wilson directed this monologue by Darryl Pinckney with Isabelle Huppert in a production by the Théâtre de la Ville, Paris.
For more information and tickets, please click here.
Mary Said What She Said is the testimony of Mary Queen of Scots drawn from her letters about her involvement in some of the most notorious plots of her time. She is lying, but on the eve of death has fear persuaded her that she is telling the truth? Queen Mary is in fact telling the truth about her last love. The title refers to the damning testimony against her by one of her ladies—her four closest attendants were each called Mary.
Robert Wilson directed this monologue by Darryl Pinckney with Isabelle Huppert in a production by the Théâtre de la Ville, Paris.
For more information and tickets, please click here.
Mary Said What She Said is the testimony of Mary Queen of Scots drawn from her letters about her involvement in some of the most notorious plots of her time. She is lying, but on the eve of death has fear persuaded her that she is telling the truth? Queen Mary is in fact telling the truth about her last love. The title refers to the damning testimony against her by one of her ladies—her four closest attendants were each called Mary.
Robert Wilson directed this monologue by Darryl Pinckney with Isabelle Huppert in a production by the Théâtre de la Ville, Paris.
Performed in French.
For more information and tickets, please click here.
Mary Said What She Said is the testimony of Mary Queen of Scots drawn from her letters about her involvement in some of the most notorious plots of her time. She is lying, but on the eve of death has fear persuaded her that she is telling the truth? Queen Mary is in fact telling the truth about her last love. The title refers to the damning testimony against her by one of her ladies—her four closest attendants were each called Mary.
Robert Wilson directed this monologue by Darryl Pinckney with Isabelle Huppert in a production by the Théâtre de la Ville, Paris.
Performed in French.
For more information and tickets, please click here.
Mary Said What She Said is the testimony of Mary Queen of Scots drawn from her letters about her involvement in some of the most notorious plots of her time. She is lying, but on the eve of death has fear persuaded her that she is telling the truth? Queen Mary is in fact telling the truth about her last love. The title refers to the damning testimony against her by one of her ladies—her four closest attendants were each called Mary.
Robert Wilson directed this monologue by Darryl Pinckney with Isabelle Huppert in a production by the Théâtre de la Ville, Paris.
Performed in French.
For more information and tickets, please click here.
LIMITLESS TIME: THE WATERMILL CENTER SUMMER FESTIVAL
PRESENTED BY VAN CLEEF & ARPELS
CELEBRATING ROBERT WILSON
The Watermill Center’s Annual Summer Festival celebrates art and experimentation in support of the organization’s year-round programming — our artist residency, education, and public programs. Featuring dynamic works by a roster of groundbreaking international artists, the evening invites guests to immerse themselves in a curated series of installations and performances across The Watermill Center’s expansive property.
This year’s festival will feature works by Laurie Anderson and Shane Weeks, Pina Bausch, Charles Chemin, Isabelle Huppert, Lucinda Childs, Ruth Childs and Cécile Bouffard, EYE, Madeline Hollander, Christopher Knowles, and Robert Wilson.
To learn about sponsorship and co-chair opportunities, please contact festival@watermillcenter.org.
LIMITLESS TIME: THE WATERMILL CENTER SUMMER FESTIVAL
PRESENTED BY VAN CLEEF & ARPELS
CELEBRATING ROBERT WILSON
The Watermill Center’s Annual Summer Festival celebrates art and experimentation in support of the organization’s year-round programming — our artist residency, education, and public programs. Featuring dynamic works by a roster of groundbreaking international artists, the evening invites guests to immerse themselves in a curated series of installations and performances across The Watermill Center’s expansive property.
This year’s festival will feature works by Laurie Anderson and Shane Weeks, Pina Bausch, Charles Chemin, Isabelle Huppert, Lucinda Childs, Ruth Childs and Cécile Bouffard, EYE, Madeline Hollander, Christopher Knowles, and Robert Wilson.
To learn about sponsorship and co-chair opportunities, please contact festival@watermillcenter.org.
The Tempest, Robert Wilson’s fifth Shakespeare production is a commission from the National Theater “Ivan Vazov” of Sofia, Bulgaria. Wilson’s previous works by the Bard included King Lear in Frankfurt (1990), HAMLET: a monologue, performed by Wilson first in Houston (1995), and A Winter’s Tale (2005) and Shakespeare’s Sonnets (2009) at the Berliner Ensemble.
For more information and tickets, please click here.
After The Sandman, Jungle Book and Dorian, Robert Wilson’s fourth production at the Düsseldorfer Schauspielhaus, Moby Dick, is a take on yet another piece of world literature; “Moby-Dick; or, The Whale” by American writer Herman Melville.
Performed in German; with English surtitles on selected dates (check theater web site for details).
More information and tickets here.
After The Sandman, Jungle Book and Dorian, Robert Wilson’s fourth production at the Düsseldorfer Schauspielhaus, Moby Dick, is a take on yet another piece of world literature; “Moby-Dick; or, The Whale” by American writer Herman Melville.
Performed in German; with English surtitles on selected dates (check theater web site for details).
More information and tickets here.
After The Sandman, Jungle Book and Dorian, Robert Wilson’s fourth production at the Düsseldorfer Schauspielhaus, Moby Dick, is a take on yet another piece of world literature; “Moby-Dick; or, The Whale” by American writer Herman Melville.
Performed in German; with English surtitles on selected dates (check theater web site for details).
More information and tickets here.
After The Sandman, Jungle Book and Dorian, Robert Wilson’s fourth production at the Düsseldorfer Schauspielhaus, Moby Dick, is a take on yet another piece of world literature; “Moby-Dick; or, The Whale” by American writer Herman Melville.
Performed in German; with English surtitles on selected dates (check theater web site for details).
More information and tickets here.
Robert Wilson’s The Sandman, a ghost story from German Romanticism, with music by British dramatic rock singer songwriter Anna Calvi, is showing again this season at the D’haus. Previous productions of 'dark fairy tales' by Robert Wilson include The Black Rider (Hamburg 1990) and Peter Pan (Berlin 2013).
Performed in German (on certain dates with English surtitles - check link below).
For more information click here.
After its run in Florence in May of 2024, PESSOA—Since I’ve Been Me is shown at the co-producing Théâtre de la Ville.
Performed in Italian, French, Portuguese and English, with French surtitles.
For more information and tickets, click here.
After its run in Florence in May of 2024, PESSOA—Since I’ve Been Me is shown at the co-producing Théâtre de la Ville.
Performed in Italian, French, Portuguese and English, with French surtitles.
For more information and tickets, click here.
Robert Wilson’s The Sandman, a ghost story from German Romanticism, with music by British dramatic rock singer songwriter Anna Calvi, is showing again this season at the D’haus. Previous productions of 'dark fairy tales' by Robert Wilson include The Black Rider (Hamburg 1990) and Peter Pan (Berlin 2013).
Performed in German (on certain dates with English surtitles - check link below).
For more information click here.
After its run in Florence in May of 2024, PESSOA—Since I’ve Been Me is shown at the co-producing Théâtre de la Ville.
Performed in Italian, French, Portuguese and English, with French surtitles.
For more information and tickets, click here.
After its run in Florence in May of 2024, PESSOA—Since I’ve Been Me is shown at the co-producing Théâtre de la Ville.
Performed in Italian, French, Portuguese and English, with French surtitles.
For more information and tickets, click here.
Robert Wilson’s The Sandman, a ghost story from German Romanticism, with music by British dramatic rock singer songwriter Anna Calvi, is showing again this season at the D’haus. Previous productions of 'dark fairy tales' by Robert Wilson include The Black Rider (Hamburg 1990) and Peter Pan (Berlin 2013).
Performed in German (on certain dates with English surtitles - check link below).
For more information click here.
After its run in Florence in May of 2024, PESSOA—Since I’ve Been Me is shown at the co-producing Théâtre de la Ville.
Performed in Italian, French, Portuguese and English, with French surtitles.
For more information and tickets, click here.
After its run in Florence in May of 2024, PESSOA—Since I’ve Been Me is shown at the co-producing Théâtre de la Ville.
Performed in Italian, French, Portuguese and English, with French surtitles.
For more information and tickets, click here.
After its run in Florence in May of 2024, PESSOA—Since I’ve Been Me is shown at the co-producing Théâtre de la Ville.
Performed in Italian, French, Portuguese and English, with French surtitles.
For more information and tickets, click here.
Painter Francis Bacon catches George Dyer red-handed breaking into his artist studio. Instead of calling the police, he paints his portrait. The two become a couple. - Painter Basil Hallward is obsessed with his model Dorian Gray. Gray wishes the painting would age instead of him. - Poet Oscar Wilde is the darling of London Society - until he is sent to prison for "indecent relations" with his lover Alfred Douglas.
Darryl Pinckney's text and Robert Wilson’s production of Dorian weave these three stories into an associative narrative flow, overlapping memories, reflections and feelings.
Performed in German with English surtitles (check web site to confirm).
Click here for tickets and more information.
After its run in Florence in May of 2024, PESSOA—Since I’ve Been Me is shown at the co-producing Théâtre de la Ville.
Performed in Italian, French, Portuguese and English, with French surtitles.
For more information and tickets, click here.
After its run in Florence in May of 2024, PESSOA—Since I’ve Been Me is shown at the co-producing Théâtre de la Ville.
Performed in Italian, French, Portuguese and English, with French surtitles.
For more information and tickets, click here.
Painter Francis Bacon catches George Dyer red-handed breaking into his artist studio. Instead of calling the police, he paints his portrait. The two become a couple. - Painter Basil Hallward is obsessed with his model Dorian Gray. Gray wishes the painting would age instead of him. - Poet Oscar Wilde is the darling of London Society - until he is sent to prison for "indecent relations" with his lover Alfred Douglas.
Darryl Pinckney's text and Robert Wilson’s production of Dorian weave these three stories into an associative narrative flow, overlapping memories, reflections and feelings.
Performed in German with English surtitles (check web site to confirm).
Click here for tickets and more information.
On the occasion the representation of PESSOA – Since I've Been Me by Robert Wilson at Théâtre de la Ville – Sarah Bernhardt, Nosbaum Reding, in collaboration with RW Work, Ltd., is pleased to present a selection of drawings from one of Robert Wilson's last theater works.
More information on the gallery’s web site.
Ketabi Bourdet Gallery is pleased to present The Days Before, its second exhibition dedicated to the work of Robert Wilson. It is the first exhibition in France devoted to the American artist since his passing in 2025.
More information on the gallery’s web site.
Robert Wilson’s Bulgarian production of The Tempest, from the National Theater “Ivan Vazov” of Sofia, is performing at the Burgtheater, one of Europe’s most prestigious stages, during the Wiener Festwochen festival.
For more information and tickets, please click here.
Robert Wilson’s Bulgarian production of The Tempest, from the National Theater “Ivan Vazov” of Sofia, is performing at the Burgtheater, one of Europe’s most prestigious stages, during the Wiener Festwochen festival.
For more information and tickets, please click here.
Robert Wilson’s Bulgarian production of The Tempest, from the National Theater “Ivan Vazov” of Sofia, is performing at the Burgtheater, one of Europe’s most prestigious stages, during the Wiener Festwochen festival.
For more information and tickets, please click here.
Overture for KA MOUNTAIN AND GUARDenia TERRACE was performed live by Robert Wilson and the Byrd Hoffman School of Byrds at 147 Spring Street, NYC, for six hours each day, from 6-9AM and 6-9PM, between April 24-30, 1972. The sizeable cast featured such downtown luminaries as dance critic and poet Edwin Denby, dancer Andy De Groat, theater critic Stefan Brecht, and Wilson’s grandmother, Alma Hamilton. This preservation print was made directly from the 16mm camera original which was discovered in Anthology’s basement along with a group of empty film cans. Archivists at Anthology and the New York Public Library for the Performing Arts (the repository of the Robert Wilson Audio/Visual Collection) were able to salvage the film and identified it as the most extensive extant documentation of OVERTURE. No soundtrack has surfaced for this film, but its majestic images and wild inventiveness are like a music all their own.
This summer, in collaboration with the Segal Center Film Festival on Theatre and Performance, The Robert Wilson Estate & Trust, and The Watermill Center, Anthology presents an extensive film series celebrating the work of Robert Wilson.
As part of that series, two original works for the screen by Robert Wilson—Video 50 (52 min.) and Deafman Glance (27 min.)—will be shown. Click here for more information.
This summer, in collaboration with the Segal Center Film Festival on Theatre and Performance, The Robert Wilson Estate & Trust, and The Watermill Center, Anthology presents an extensive film series celebrating the work of Robert Wilson.
As part of that series, the following original works for the screen by Robert Wilson will be shown:
STATIONS (1982, 56 min, video)
“STATIONS is an enigmatic, hauntingly vivid work, in which Wilson envisions the daydreams and fantasies of an eleven-year-old boy as a universe both magical and sinister. Resonating with Wilson’s precise visual stylization, the tape’s pivotal image is a young boy looking through a large window in the kitchen of his home, which becomes the portal for his dramatic, often startling inner fantasies. Fire, metal, wind, glass and water, among other elements, serve as points of departure for a series of elegant pictorial compositions and evocative metaphors. Unfolding without dialogue or spoken language, Wilson’s indelible visions articulate the fear and mystery of the internal life of a child, and his relation to the outside world.” –ELECTRONIC ARTS INTERMIX
LA FEMME À LA CAFETIÈRE (1989, 7 min, video)
Robert Wilson and the dancer Suzushi Hanayagi bring to life Paul Cezanne’s painting, “La Femme à la Cafetière”.
LA MORT DE MOLIÈRE (1995, 24 min, video)
A collaboration in which Robert Wilson and Heiner Müller let Molière die, imagining his death in tableaux with text passages recited by Müller himself. “Cinema watches Death at work.” Wilson’s actors watch Molière die: their vigil is hard work. Müller’s comment: “The poem watches a dying man at work, his name is Molière. The poem is not a film. The film watches an actor playing a dying man called Molière.”
This film – edited from live recordings of performances in both Warsaw and Tokyo – documents Robert Wilson’s production of Hamlet: A Monologue. Adapted from Shakespeare by Wilson and Wolfgang Wiens, Hamlet: A Monologue was performed by Wilson himself, who variously embodied each of the play’s characters. In his own words, “Initially, I had thought to do it with a group of actors but eventually I decided I would do it myself, as a challenge: first, because it is a classical text, and then because it’s a work where the concentration is primarily on the text, in addition to the images. I did it as a monologue, a kind of dream memory of the entire play. I restructured the text, beginning seconds before Hamlet dies. So the work is seen as a flashback, with Hamlet speaking the text of Ophelia, Gertrude and all the other characters. The play really takes place in Hamlet’s mind. It begins with his last speech and ends with his last speech.”
More information and tickets here.